Charlie Godet Thomas

 

 


Poems for Invigilators
Cotton labels sewn into the uniforms of Invigilators spaced over three floors 
BALTIC Center for Contemporary Art 


Installation views of A Method for Writing / A Method for Making
BALTIC Center for Contemporary Art

 


Endpaper (Open-Form)
Pigment, paint, wood, rubber / 325 x 265 x 20 mm

 




It Stutters in its Little Lines (Façade)
Digital print, wood, paint, window brackets 

 

A Carcass
Burnt fragments of a plasticised digital print depicting a dead Magpie, paint, wood / 90 x 110 cm (Each panel)  

 

Installation view of To be is to do, To do is to be, Do be do be do
Telfer Gallery, Glasgow / Photograph: Mary Freeman 

 


More on This Matter of Brevity Later (Boyfriend Pillow No.1)
Printed cotton, thread, zip, Polystyrene beads / 120 x 25 x 30 cm / Photograph: Mary Freeman  


Installation views of Torschlusspanik
VITRINE, London, UK

 

All Dolled up With Nowhere to Go
Cast rubber, string, metal, plastic 78 x 2.5 x 10

  


Detail of Scratching Each Other's Backs, Like Cans in a Sack (Drano)
100 x 150 cm (Panel) / 120 x 50 x 1.5 cm (Cast)
VITRINE, London, UK  

 

  


Endpaper (Euphoric Grimace)
Pigment, paint, wood, rubber / 330 x 270 x 20 mm

 

 


Fading Away Into Dust by Boredom No.1 (top) and Fading Away Into Dust by Boredom No.2
Cast rubber, digital print, elastic and cotton 

  

Endpaper (Ivy League Suicide)
Pigment, paint, wood, rubber / 250 x 350 x 15 mm

 



Thicket No.2
Wooden dowel, adhesive, digital print depicting non-native Palm Trees (Arecaceae) that have been introduced to Aruba

 


Installation views of In Comes the Good Air, Out Goes the Bad Air, In Comes the Good Air 
Cactus Gallery, Liverpool, UK / Photograph: Harry Meadley

 

Detail from Questions, Statements, Proposals
Stereo sound, speakers, speaker brackets, printed fabric, wood and paint / Photograph: Harry Meadley


Shit Brickhouse No.1
Plasticised digital print, glass, wood, hanging brackets / Photograph: Harry Meadley

 

Escape to a Sparkling Moment
Digital print, paste / Bloc Projects, Sheffield, UK 

 

This Unremarkable Novel (Chicken Boxes)
Folded, cut and glued prints on Hahnemuhle Photo Rag / Photograph: Harry Meadley 

 


Questions, Statements, Proposals 
Stereo sound, speakers, speaker brackets, printed fabric, wood, paint, screen
00:03:31 (looped) 

 


An Evanescent Fix, VITRINE Gallery, London 
Jack Brindley / Keith Farquhar / Charlie Godet Thomas / Clare Kenny / Wil Murray

 

In Comes the Good Air, Out Goes the Bad Air, In Comes the Good Air (Jump from the South Portico)
Wood, paint, pure pigment, printed cotton, varnish, evaporated water, screws / 134 x 94 x 4.5 cm 

 


Downward Spiral (Jump From the South Portico)
Cast rubber, perimeter from a cropped photographic print, pure pigment, evaporated water, paint, mdf, hanging bracket / 30 x 24 x 1.5 cm 

 

Scansion (A Carcass)
Cast rubber, wood, paint, perimeter from a cropped photographic print / 30 x 24 x 1.5 cm